American Darlings: The Beatles Mix Tape for the 21.Shawn Phillips: from Teaching Joni Mitchell to Pla.The Fountain of Youth Across The Decades with Jona.Chris Keup: Why Music Publishing Is Still VERY Imp.Songs that NEVER Mention the Title in The Song.Jefferson Angell Picks Up the Pieces after Tragedy.The Most Outrageous Rock Fails of All Time!.Hard Rock and Metal's Greatest Acoustic Moments!.Matt Westin leaves a lucrative engineering career.Reaching for the Uncommon Chord with Asha Pieper.Learning guitar out of necessity, Michael David Mi.Navy Seal, Phillip Broussard looses his faith in m.The Greatest Drum Beats in Rock and Metal.For Those About to Rock with Motorgun, We Salute You. Both Edhino and Leo Mello are killer musicians in their own right who both combine their excellent musical talents to nail down the kick-ass, powerful Motorgun sound. Motorgun also features Edinho on low end bottom kool bass and Leo Mello on thunderous drums. Our #1 good, heavy, riff-rockin', ass kickin', guitar slingin' Motorgun Brother Bebeto Daroz also handles the vocals and delivers excellent, stand-out, vox with power and melody. Fronted by the insanely talented Bebeto Daroz on guitar & vocals, "The Man" is a true bad-ass riff:master of world-class magnitude who also nails down killer, serious legit lead guitar solos that speak the six string language of the guitar hero greats. Combining strong songs, awesome vocals and killer riffage with impressive musicianship, Motorgun have landed with strength & power on their excellent debut disc and have given us hope & faith that real heavy rock is still alive. Motorgun are an amazing heavy rock riff:machine who give the term "Power Trio" new meaning. Their live show is one that will NOT be forgotten for hundreds of Muse fans seeing them for the first time.” tour with Muse, Chicago Music Monthly stated that “Dead Sara is an example of everything that is right with rock and roll.
Of one of their local shows at The Troubadour, L.A.’s indie-rock tastemaker website raved: “You almost forgot you were watching a rock show in the 450-capacity Troubadour and not in a venue like Staples Center that holds thousands when Dead Sara launched into their hit “Weatherman.” OC Weekly has praised the band for its “blazing, impassioned classic rock, punk/indie jams, catchy guitar melodies and songs about not backing down,” while Buzzbands.la noted that Dead Sara’s strain of primal rock is loud enough to awaken the ghosts in both the indie and metal underworlds, and maybe even get them to dance a bit. The band has always generated major buzz around their shows, being known for their ferocious spectacle of high-octane live performances.
In 1998, eight of his LPs were re-released via the Wounded Bird label. His work remained sufficiently in demand in the 1990s, however, to justify a best-of compilation from A&M in 1992 that included notes by Phillips and one new song. A cult figure whose peers include Van Dyke Parks and, perhaps, Leonard Cohen (though Cohen's public profile is enhanced by his following, as an established poet and author, in the literary community), he remains an enigmatic figure on the music landscape. His refusal to shape his music - which crosses between folk-rock, jazz, progressive, pop, and classical - to anyone else's expectations has allowed him to hold onto a large and dedicated cult following, without ever achieving the stardom that his talent seems to merit.With 15 albums behind him since the mid-1960s, Phillips has a following, in America, Europe, and Japan, and he has performed at different world music festivals. The mere fact that he was a musician as much as a singer and songwriter made him stand out, and helped him attract a dedicated following. Shawn Phillips is one of most fascinating and enigmatic musicians to come out of the early '70s singer-songwriter boom.
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